Excerpt: Devil’s House

A small short story I’ve been tooling around with: A Work in Progress that was abandoned a few years back. I think I am going to try and pick it back up. 

 

Prologue
The Devil lived lonely on the top floor of the Chrysler Building. In the Devil’s House was the Devil’s Kitchen, the Devil’s Bed, the Devil’s Radio, and sitting lonely and cold atop the Devil’s Cold Fireplace was my lonely Soul. I wanted it back.

 Exit Frying Pan

The Devil’s House looked nothing like I imagined. I don’t quite know what I was expecting, maybe a little flair. Brimstone, or Maroon Velvet, or the tortured Souls of the Innocent. I didn’t even know I was in the right place when I dropped down from the roof of the Chrysler and through the window. This place looked like it belonged to a Brownstone family in Brooklyn, not to the Lord of Hell, the Fallen Angel and the Morning Star.

The Devil’s Kitchen had a GE stove and a brand-name ice-box, his bed was an colonial four-poster, his radio was playing something baroque. His fireplace was warm with embers. The only thing I was right about was my small soul swimming in a jar above the Devil’s hearth.

It was quite like a fish, and swam around its jar like a fishbowl. I don’t know if it recognized me, but I recognized it. There was a hole in my chest that needed it back.

I went to grab it, having to stretch a little to put my fingers around the bowl. When I had just started lifting it a Voice behind me said, “That’s not yet yours to take”. It sounded like sulfur jazz.

With that, I was pushed into the devil’s open hearth, catching only a glance of the angel-wing band around his finger and a small whiff of cinnamon aftershave. I fell for far too long.

Into Fire
Robert Johnson sold his soul to the devil so that he could play his guitar. At the age of 27 he died alone in his room. The Devil came to collect.

I made my deal the same way he did, alone at a crossroads on midnight in a new moon sky. I wanted to forget my pain. I was 22.

I don’t remember his face, I just remember the Cinnamon and the Voice. A voice that burned the nose and a smell that tasted of chocolate. He told me that 10 years without pain was not a fair price for my soul.

I asked if he needed more

He said it was too much

I said I didn’t care

We made the deal.

I didn’t feel the pain anymore.

I didn’t feel the pain for 10 years.

Then the day came when the Devil would collect. I was ready, I had sold everything I owned and said my goodbyes to everyone left I ever loved. I waited in an empty room for the Devil to come and take me to Hell. He never did. I waited there until they turned my water off and my stomach shriveled to the size of a raisin. Though I wasted away and my lips were cracked and dry I did not die.

The Devil never came.

I went to jump off the roof.

I didn’t die.

So I took matters into my own hands. I found where the Devil lived, I found where he kept my Soul. If I wasn’t going to be collected and if I couldn’t die, I damn well wanted it back.

So I tried to steal it from the Devil.


What God, Chapter 1

The following is an excerpt of a work-in-progress novel. Please let me know what you think!

In the deep in the wasting corpse of industry an angel on a billboard burned. No one had touched this area of town in 15 years and this billboard was no different, a failed product line from a dying company. The top of it had already burned and coalesced into the smog, making the silhouette of this angel seem as though she was diving upwards into Hell. I listened to it burn in the wind-whistle silence of abandoned buildings.  I sat and watched and listened.

I thought about checking the surrounding buildings for squatters to warn them of the possible danger. If I did I’d be shot. Even in plain clothes I look like a cop and there are  days that looking like a civilian would be a blessing. I was born with a stern face and a conceal-carry permit. I’ve never been a civilian.

It was still early morning as I made my way through midtown. I hit the traffic, and people’s windows were open in the humid heat to play out their choice of early-morning talk-radio. I listened to the usual rhythm of dispatch at dawn; fender benders and last-call cleanup. After stopping to get some coffee at a drive-through I languished in the traffic, enjoying the rest after a hellish night.

Everyone out here was rushing to work or to wage, and when everyone else wanted to get there on time I was just happy just to have some. It was a rare moment in between paperwork and cases where the city was quiet only for me.

Reverie is rarely kept for long, though. A call from dispatch.

“Julia, My dear.” Was my answer, less formal than the precinct liked.

“Hey Mikey, Misha has a need for you” But I had known Julia since I was a PI.

“Right now?”

“As quickly as you can” Figures.

“Let the Chief know I’m running lights from midtown”

“Be safe, Detective”

Its easy for a man to feel powerful when all he needs is some flashing lights for a sea of people in their own little worlds to part and give way. 40 minutes of traffic was made into 10 minutes of glorious speeding. Public Service has its perks.


The Abridged Challenge

Small Talk 

This one is too easy, I swear. I mean, you ask the question, what the hell can make small talk interesting. Well here it is:

Humans evolved as a social species. The development of language is its own fascinating bundle of fascination, but what strikes me about small talk is its purpose. If you meet someone at a cocktail party, especially someone you don’t know too well, you ask them about their job, their hometown, and, of course, the weather (This, in major cities, is relegated to traffic, the urban weather). People look at small-talk as useless dribble, information less nonsense we resort to when we have nothing good to talk about. I don’t usually resort to absolute, but those people are wrong.

A great deal of information about social compatibility is exchanged in Small Talk. It helps to look at small talk as Human Butt-Sniffing. Dogs, when they great each other for the first time. First: they will smell each other’s noses. This serves as an indicator of mood for both animals. Second, they will sniff each other’s asses. Why? to tell the gender, pack status, and cleanliness of the other dog. It is an exchange of social data. Humanity has evolved its small-talk to include the basic social data. Who do you know, what Friends, if any, do we share, how much money do you make, and what kind of a person are you (Do I want to be your friend).

While social posturing and small talk may seem useless, try approaching it with this in mind. It also helps those less socially adept to function in those group situations. When in doubt, ask questions and gather info. People not only love to talk about themselves, but the more social information that is shared, the more of a subconscious connection is felt.

Homework

Right. Everyone’s favorite topic. Homework. THe bane of the weekend and afternoon, scourge of the high-schooler, and joke of the undergrad. A large subject that has been beaten to death by the likes of my peers. So lets take a different tack.

The main component of learning a skill is repetition, and this is where the homework paradigm comes into play. Sheets of simple math, grammar, spelling. The hundreds of calculus problems that professors will assign to drill the basics into your head. This is where I will take my contention

Tell me if this sounds familiar: An elementary school teacher with 40 kids has 2 hours to teach the basics of adding fractions with different denominators, in between trying to calm the class down and an ill-timed fire drill, she only has 45 minutes to teach some very important fundamentals. After blasting through the materiel, she sends the children home with their math worksheet because she has another 4 furrow days to go this semester alone, and has to keep her curriculum up to speed, or they won’t be ready for the standardized test at the end of the year that dictates how much funding the school gets. So the children go home, not really understanding the materiel, and try to complete it, not knowing how. Some get help from their parents, but most don’t. They try to complete the homework, don’t know how, build bad habits by “Incorrect Repetition”. Learning a skill depends on correct repetition, incorrect repetition breeds incorrect skills.

This is a small diatribe on the fact that we need more educational funding, and some teaching methods need to be changed. But how are we supposed to change education?

Homework is necessary. We hate it (and some don’t), but its true. What needs to change is the nature of the homework. The current paradigm is to lecture in class, and to assign the repetition outside of class. This is effective as long as the students completely understand the method, which they often don’t. It might be more effective if the repetition was guided in class, allowing the students to perform the correct repetition. This also allows you to introduce the idea outside of class, developing critical thinking skills, and intellectual independence. To put it simply, Have a student learn outside of class as much as they do inside of class. Make intellectual exploration a habit outside of the classroom.

Robert Rauschenberg, White Painting (Three Panel), 1951

http://www.sfmoma.org/explore/collection/artwork/25855#ixzz22V4P8YQW

Take a moment to imagine what would happen if a painter from history happened upon this painting. Michelangelo might be intrigued, Van Gogh could be somewhat disgusted at its simplicity, Leonardo would be in awe of its technical proficiency. But all artists before the last 150 years would never have seen a painting like this receive recognition, much less be painted at all.

More than a 1000 years ago, it would have been nigh on impossible to achieve such a smooth and perfect white. The technology didn’t exist. Canvas was rough, oil paints were of poor quality, and keeping it such a pure white would have been next to impossible in most studios. In fact, going back to antiquity, the easiest way to achieve a smooth white was to polish the proper type of marble or granite to a sheen, and hope it doesn’t have any faults or mineral lines. This simple painting illustrates the technical proficiency of our time.

But this painting is more than that. It is an identifier of one of our species’ most unique qualities. Meta-thought. The analyzation of abstract ideas as their own entity. Art was about recreation and imitation, Landscapes, God-forms, theological idolatry. Then, suddenly, Artists started changing their view. They created altered versions of reality. Impressionists, surrealists, abstract artists. Then, somewhere along the line, the alteration of reality was surpassed by art that was completely independent of the world it inhabited. It didn’t mimic anything, it didn’t reference anything, it became art that reflected thought-form. Our reality became our mental construct of reality. And more than anything, this is what makes this very dull, very minimalist painting interesting. How in the world did we get from cave paintings to 3 white sheets of canvas?

Being an Office Receptionist

This isn’t interesting? I mean, it already seems to be to me, but let me spell it out for you, since you asked.

First, look at the prevalence of the service economy in this day and age. If you go back just 200 years, there wasn’t much of an economy around supporting the needs of others. You could carry packages or be a servant. Other skills, like service manufacture, required the creation of physical goods. Nowadays, there is an entire economic ecosystem of people’s whose job it is to coordinate, organize, or communicate. Office Receptionists, who write memos, and fill date-books, are just the tip of the iceberg. Someone from 200 years ago would look at jobs like that, and would likely laugh. “what kind of a job,” Says blacksmith joe, “Requires you to sit and talk to people all day”. But the fact is, without the service economy, we could not survive. As society becomes more complex, we have more of a need for people to organize it all, prevent it from collapsing. Office Receptionists form the basis of modern society.

But then we move on. Office receptionists are not only the cornerstone of modern society, but they also lead lives of intrigue. We are a society that thrives on social interaction, and, to a smaller extent, gossip. I am not lending any credence at this point to general archetypes, I am only using them because we as a society use them. Anyone who works HR or Reception in an office building has a better idea of what is going on in the office than anyone else in that building. This is because it is their job to deal with the people, to organize it all, and to know what to say to who to get what they need. Social information is power.

The receding Hairlines of Congressional Aids: A Study

Hair-loss, for some odd reason, is inextricably linked with stress. Which, when constantly getting texted pictures of a congressman’s junk on capital hill, is fairly high. Hair loss, in our society, is almost a sign of weakness. One can be bald and still be strong, and one can have hair, but if one is in between the two, we suddenly see weakness.

Its funny, in this way. We have had an African-American president, a Catholic President, and with any luck we are well on our way to having 2 X chromosomes sitting in the oval office. We haven’t yet elected an openly balding president. Can you think of one?

Well, there is Benjamin Franklin, I’ll admit. But he was elected in an era where wigs were the commonplace, and unlike most of the founding fathers, he was shoved far back to the 100 dollar bill, behind all of his peers and contemporaries. His name is even being redacted from history by a few southern and midwest states who don’t like his policies.


The Conversation While Writing

A man puts down his pen. A man picks up his pen. Indeterminable moments pass and his pen is back down. Perhaps, Man thinks, he needs a drink. Man picks up pen, gets up, and goes to get drink, realizes he cannot pour drink with pen in hand. Man sets down pen. Man realizes, via his behavior and the large number of empty tumblers on his desk, that he may have had enough to drink. Man sits down.

Maybe this isn’t how I want this story to start. Maybe I need to learn to shut up and let myself talk.

The Man, of course, isn’t just a Man, his name is…

Indetermineable moments pass and a name is still not found

Well his name isn’t important. What is important is that he is trying to write a book

How very self referential

And he is having trouble…

Not making it any better for yourself, are-

The man is in a room

Aren’t we all

Sitting at his desk

Who else would be sitting there

And he-

I think we know it’s a guy

And he very much hates his writer.

Hey, be careful there, I made you

Yes, I don’t think he cares very much about that

But I Created him

Was that capital C really necessary?

Well is is something of importance, isn’t it

No, it isn’t. you are just trying to grant what you do some false importance. As if creating a world and creating people in it makes you a God (capital G intended)

Well… Doesn’t it?

Oh don’t go down that road. They don’t exist. All this is, just so happens to be you sitting in a comfy armchair with a glass of watered brandy trying to escape into a world of your own making

But it has importance!

What, the Importance of the Artist? All False, I assure you. An artist creates things that people merely like or despise with all their hearts. Do they make foreign policy? Do they lobby for new laws concerning corporate regulation? No, they sit and whine and bitch and do nothing. How does that matter a whit?

It doesn’t

Exactly

Not to you, at least

Not to anyone.

Not true. Someone’s acting once inspired a man to try and kill Ronald Reagan.

A lunatic

A Human

A Crazy one

How does that matter? Every single one of us is at least a bit crazy, and we can sit and not be able to do anything about foreign policy, but every one of us can create. Every one of us can show someone something beautiful or interesting or horrifying.

But that doesn’t mean that what you create means anything to the world

The World? Screw the world. It doesn’t have to mean shit-all to the world. For all we know, the world isn’t sentient. You know who is? Us. We experience, we create, and we feel. We are the only reason we know we exist. Because like it or not, there is more than one of us. And I don’t know about the world, but if I can influence one person, if I can change then, then I have changed a world. Theirs at the very least. What you don’t realize is that this world isn’t one coherent mass, it is just a landmass inhabited by billions of people who see things differently, and billions of people who have their own worlds. So I’ll tell you this, you don’t have the dominion over worlds that I do. By just going on stage and speaking I can change a hundred, by writing I can change a thousand. That’s the thing. I don’t control or create reality, I add to it.


Greek Jokes Aren’t Funny (Excerpt)

Larry: (pounding back a shot) well shit.

 

(Arlus walks up, Larry is poured shot after shot after shot of something clear, Arlus approached Barkeep)

 

Arlus: (worried) what’s he drinking?

 

Keep: Water

 

Arlus: …you keep water in a vodka bottle?

 

Keep: keeps the underage happy and paying

 

Arlus: (nods, then to larry) Larry, what happened? Wife leave you for a white bull again? Pregnant with a monster, is she?

 

Larry: nope (prepares for shot, takes it)

 

Arlus: Did Daddy cause another earthquake in Sparta?

 

Larry: Nope

 

Arlus: Hade’s steal your daughter away to the underworld and… something with a pomegranite?

 

Larry: (grunts)

 

Arlus: Did…

 

Larry: Nope

 

Arlus: I didn’t even finish!

 

Larry: already knew the answer

 

Arlus: well what was I going to…

 

Larry: Dionysus visited me today

 

Arlus: … hm?

 

Larry: Dionysus-

 

Arlus: no, I heard you, that one wasn’t all that funny

 

Larry: I wasn’t kidding

 

Arlus: yeah

 

Larry: he honestly did

 

Arlus: (pause) so why water?

 

Larry: just popped into my-

 

Arlus: seems a little weak for-

 

Larry: and just whipped it out-

 

Arlus: I mean, I know you can’t hold-

 

Larry: and it was just gigantic, then he-

 

Arlus: showed you how to take them, just-

 

Larry: told me to get up, started yelling-

 

Arlus: and the whipped cream makes it even better-

 

Larry: Told me to PROduce a play!

Arlus: and that’s how you take a shot!

 

Both: Wait… What?

 

Larry: you told me to take a straw and drink through my nose

 

Arlus: Dionysus told you what?

 

SILENCE

 

Arlus: I may have been drunk at the time

 

Larry: He, uh, told me to PROduce a play

 

Arlus: that’s not how you pronounce-

 

Larry: I don’t care

 

Arlus: yeah

 

SILENCE

 

Larry: so what does that even mean?

 

Arlus: Fresh vegetables for sale at a market

 

Larry: no, the-

 

Arlus: yeah, you pronounced it wrong

 

Larry: Don’t Care

 

Arlus: Figures. Hm… I think its when an asshole shows up and tells the director what to do.

 

Larry: well that doesn’t sound very helpful

 

Arlus: I could be wrong

 

Larry: yeah, that doesn’t sound right.

 

Silence

 

Arlus: does it mean…? Yeah, I’m out

 

Larry: me too.

 

Arlus: well, we could just go around and ask people what producing is, this is Athens, after all, someone should know.

 

Larry: Oh yes, that sounds like a fantastic idea. We could go to Lickus, the street lecher, and ask him, “do you know what a producer does?” and he flashes us and we say, “not that kind of producer, what a Theatrickal producer does” and he tells us he doesn’t know, but would sure as hell like to find out. So he follows us when we go to ask Scandalus, the politician, Acrylica, the beautician, Little Pintus, head of the league of orphans and the president of the competitive drinking league. We can ask flicus and Bickus, and kalamazoo! And then go and ask mr. floppity roo! And then we’ll take this great big mob of people up to mt. Olympus, stand in front of Dionysus, and say, “Listen here, you schmuck, none of THESE people know what the hell a producer does, why the hell should I?”

 

Arlus: You’re drunk… ( pause, picks up shot glass of water sniffs it, looks at Larry, who continues line)

 

Larry: (dawn of realization) Oh god Damnit! (leaves)

 

Arlus: yeah he probably has (moment, follows)

 

(Dionysus walks on, hands jug to Keep, asks for a gallon, Keep looks confused)

 

Dio: (to Keep) Think I was too hard on the fellow? He was pounding the drink pretty hard

 

Keep: (stunned) it was water

 

Dio: (looks angrily at Keep, grabs back his jug, starts to leave, glares back, and struts out)

 

Keep: Bye?

 


The Story in the Story

Every story humanity has ever told, and ever will tell, all come from the same myths, the same basic narratives. Boy finds friend, they find trouble; boy meets girl, they fall in love, they die or live happily ever after. Every that is going to be told has already been told. So how do you tell a story that is worth being heard again?

It is tempting for me at this point to write a list of what makes a story memorable; but the truth is, there are no specific methods. The key, however, seems to be resonance. A story, as should be obvious, needs to have some sort of relation to the person reading it. This can come in the form of an Active Relation, something someone wants to get out of the story, and a Passive Relation, something in a story that, for one reason or another, evokes an emotional reaction.

As always, the line between an Active and a Passive relation is larger and more blurred than “The Greatest CENSORED Hits of Ron Jeremy”. This is also true for how much of each element any one story may contain. Novels that are usually focused more on an Active than a Passive relation are what we have come to refer to as Crime or Detective novels. These are books that we read to try and figure out a mystery, and are actively involved in trying to decipher the plot. A Passive Relation can best be found in almost any comedic novel, where the entire point of which is to create the humorous and unexpected, and therefore inspire a passive relation (i.e. trying to make the reader laugh)

As always, the best road seems to lie in the middle. Well, at least according to my limited world-view. To illustrate why, you need only take the one piece of literature we have probably almost all heard read in monotone by an English teacher; Hamlet. This is a story that creates both an active relation, forcing the audience to determine if Claudio really did kill Hamlet sr., but also is a story, in its most basic form, about a boy losing his father, creating a Passive relation.

But Hamlet is a story we have all heard before, isn’t it, along with most of the stories we are so fond of telling. So how do we get an audience to listen to them? First, you give them something new, a new take on it, and a new perspective. Anything to pique their interest. But failing that, every good story, every story worth listening to, has to be both felt by the audience, and interpreted by them. The perfect moment is when the audience is halfway between slight confusion and emotional devastation when the plot finally resolves. If done right, its enough to leave most people speechless