Yes, I Write Professionally
Posted: December 8, 2014 Filed under: Fiction, Story, Uncategorized | Tags: Academic, Architect of Experience, Art, Blog, Confession, Critic, Essay, Excerpt, Humanity, Humor, Humour, Motivational, Narrative, Story, Thinking, Writing Leave a commentEvery day I don’t spend Writing or developing a project feels like a waste.
Its been this way for a few years. Time that I have spent, for instance, writing out over 350 pages filling 3 notebooks, writing the better part of 2 plays a pilot and half of a novel. I used to write every single day, Now I’m lucky if I have time to sit and work on my days off.
Its been a theme of my last few months. A constant droning voice gnawing away at what I assume is my mind, telling me in some eldritch tongue that I need to write more to service the elder-gods, or some other nonsense.
Even so, I don’t like to refer to myself as a “Writer”.
The term has too much baggage. Whenever I say, “I Write”, there is an immediate look on someones face. There are always questions.
“Have you written anything I know?”
That would be code for, “Are you published?”. The answer is: Not Yet.
“What do you write?”
A question thats kind of like asking someone what neighborhood they live in when you don’t know the city. I appreciate the interest and will give you the logline, but most of the time its met with the blank look that reminds me how much of a rhetorical question “What I write” usually is.
Words. I write Words.
“But what do you do for a living?”
Starve, mostly. Or, more realistically, I have a job and write when I can.
“Oh that’s lovely”
You can often hear the condescension drip like… Well… Condensation. I hope the inadequacy of that simile illustrates how few fucks I give.
But always it comes down to one essential question that people seem to have: “Do you make a living writing?”
No. I don’t.
Not many people do.
But that doesn’t mean that I don’t write professionally.
I don’t know if I have enough experience or gravitas to speak eloquently on this matter. After all, it was only 3 years ago that I even began pursuing writing as a career. But it seems if I haven’t gotten paid for writing, there is an expectation that I should say that I am an “Aspiring Writer”.
But I’m not aspiring to anything, I’m working. Its my second and my third job. I am sure that a lot of other “Aspiring Writers” feel exactly the same way.
Why would we do such a disservice to the work we are doing by referring to our writing as anything other than professional?
Online Dating Turned Me Evil
Posted: September 13, 2014 Filed under: General, Story, Uncategorized | Tags: Architect of Experience, Art, Blog, Confession, Confessions, Critic, Critique, Cupid, Dating, Essay, Evolution, Excerpt, Humanity, Humor, Humour, Language, Monologue, Motivational, Narrative, OK, OKCupid, Online, Online Dating, Secret, Story, Thinking, Tinder, Writing Leave a commentPrologue:
I like to imagine that I kept to my principles in the end… I mean- I didn’t. But I like to imagine.
Act 1:
First thing to know: I haven’t been single in about 6 years. I have not been single for long. I haven’t tried to meet new people outside of school in a long time- which was why OKCupid and Tinder seemed like a good idea. I ended my last relationship on good (great) terms, and this might be part of the problem
Interlude:
Its great when you can end a relationship on good terms. Like the adults we know we are. But the human brain has a conditioned response to sudden loneliness- it wants to pitch and fit and throw a tantrum and not be lonely anymore. So when your brain wants to do this but you have no reason to, you start to look for an outlet.
Act 2:
It started with Tinder. I mean, it all seemed perfectly normal at first. I swipe right and I swipe left. It even comes with helpful labels. If you swipe right you see “Like” in friendly green, if you swipe left you see “Nope”.
This is when I should have known things could get bad.
If two people both swipe right on each other’s pictures, you get to “Chat”. Not being able to connect with people easily this seemed like a great idea! No need to go through that awkward period of finding out whether someone finds you annoying.
Its a trap.
Not in the beginning- No, Tinder makes you build your own prison. In the beginning you treat the system with respect, you only “Like” the people you’d actually like to talk to. You start to think that the system works. But it doesn’t. And you are why.
Act 3:
The swiping. Oh the Swiping. You start to no look at anything but the first picture, judging everything about a person on first glance. Duck Face? Swipe Left. Bikini Shot? Swipe Right. Every swipe brought me one step closer to hell- turning me into exactly the kind of person I hated. Soon I lost all sense of my principles, and after what seemed like weeks (it was only 2 days) without any matches I just started swiping right every time.
But it wasn’t enough. It wasn’t near enough.
Led on by this dark ghost of single life I joined OKCupid.
I could have sworn I heard a thunderclap
Act 4:
It had been almost a week of online dating. I get a few matches: One woman with a boyfriend who told me I looked like Peter Dinklage, another I scared off by asking bluntly what she was looking for.
Then on OKCupid I tried messaging people. Every awkward joke and question was another brick added to my cell in Hades.
What kind of person had I become, Silently judging the attractiveness of strangers. And I grid to be fair to those I didn’t- but only at first. Soon I fell even further. I judged harshly and swiftly.
If I was a super villain with an origin story, this is how I would have turned evil.
Act 5:
And this is where this tragedy takes a turn for the lighthearted. You see, I thought I was evil in the same way that Kite-Man thinks he is evil. Yes he robbed banks and stole money and jewels from museums- but then Kite-man saw The Joker beat Jason Todd to death with a crowbar, and realized that he was just an average man who stole things for a job.
I started to realize that the bar was set so low with men and online dating that I was somehow still considered a good person. I hadn’t sent any unsolicited dick-picks or told a girl how “Hawt” she is. I was middle-of-the-pack evil- Stealing candy from babies evil.
So really, this is the story of how online dating turned me kind of evil.
The Abridged Challenge
Posted: August 7, 2012 Filed under: Art, Science, Uncategorized | Tags: Academic, Architect of Experience, Art, Audience, Blog, Confession, Confessions, Essay, Experience, Humanity, Humor, Intelligent Life, Motivational, Narrative, Philosophy, Science, Story, Theatre, Thinking, Writing 2 CommentsSmall Talk
This one is too easy, I swear. I mean, you ask the question, what the hell can make small talk interesting. Well here it is:
Humans evolved as a social species. The development of language is its own fascinating bundle of fascination, but what strikes me about small talk is its purpose. If you meet someone at a cocktail party, especially someone you don’t know too well, you ask them about their job, their hometown, and, of course, the weather (This, in major cities, is relegated to traffic, the urban weather). People look at small-talk as useless dribble, information less nonsense we resort to when we have nothing good to talk about. I don’t usually resort to absolute, but those people are wrong.
A great deal of information about social compatibility is exchanged in Small Talk. It helps to look at small talk as Human Butt-Sniffing. Dogs, when they great each other for the first time. First: they will smell each other’s noses. This serves as an indicator of mood for both animals. Second, they will sniff each other’s asses. Why? to tell the gender, pack status, and cleanliness of the other dog. It is an exchange of social data. Humanity has evolved its small-talk to include the basic social data. Who do you know, what Friends, if any, do we share, how much money do you make, and what kind of a person are you (Do I want to be your friend).
While social posturing and small talk may seem useless, try approaching it with this in mind. It also helps those less socially adept to function in those group situations. When in doubt, ask questions and gather info. People not only love to talk about themselves, but the more social information that is shared, the more of a subconscious connection is felt.
Homework
Right. Everyone’s favorite topic. Homework. THe bane of the weekend and afternoon, scourge of the high-schooler, and joke of the undergrad. A large subject that has been beaten to death by the likes of my peers. So lets take a different tack.
The main component of learning a skill is repetition, and this is where the homework paradigm comes into play. Sheets of simple math, grammar, spelling. The hundreds of calculus problems that professors will assign to drill the basics into your head. This is where I will take my contention
Tell me if this sounds familiar: An elementary school teacher with 40 kids has 2 hours to teach the basics of adding fractions with different denominators, in between trying to calm the class down and an ill-timed fire drill, she only has 45 minutes to teach some very important fundamentals. After blasting through the materiel, she sends the children home with their math worksheet because she has another 4 furrow days to go this semester alone, and has to keep her curriculum up to speed, or they won’t be ready for the standardized test at the end of the year that dictates how much funding the school gets. So the children go home, not really understanding the materiel, and try to complete it, not knowing how. Some get help from their parents, but most don’t. They try to complete the homework, don’t know how, build bad habits by “Incorrect Repetition”. Learning a skill depends on correct repetition, incorrect repetition breeds incorrect skills.
This is a small diatribe on the fact that we need more educational funding, and some teaching methods need to be changed. But how are we supposed to change education?
Homework is necessary. We hate it (and some don’t), but its true. What needs to change is the nature of the homework. The current paradigm is to lecture in class, and to assign the repetition outside of class. This is effective as long as the students completely understand the method, which they often don’t. It might be more effective if the repetition was guided in class, allowing the students to perform the correct repetition. This also allows you to introduce the idea outside of class, developing critical thinking skills, and intellectual independence. To put it simply, Have a student learn outside of class as much as they do inside of class. Make intellectual exploration a habit outside of the classroom.
Robert Rauschenberg, White Painting (Three Panel), 1951
http://www.sfmoma.org/explore/collection/artwork/25855#ixzz22V4P8YQW
Take a moment to imagine what would happen if a painter from history happened upon this painting. Michelangelo might be intrigued, Van Gogh could be somewhat disgusted at its simplicity, Leonardo would be in awe of its technical proficiency. But all artists before the last 150 years would never have seen a painting like this receive recognition, much less be painted at all.
More than a 1000 years ago, it would have been nigh on impossible to achieve such a smooth and perfect white. The technology didn’t exist. Canvas was rough, oil paints were of poor quality, and keeping it such a pure white would have been next to impossible in most studios. In fact, going back to antiquity, the easiest way to achieve a smooth white was to polish the proper type of marble or granite to a sheen, and hope it doesn’t have any faults or mineral lines. This simple painting illustrates the technical proficiency of our time.
But this painting is more than that. It is an identifier of one of our species’ most unique qualities. Meta-thought. The analyzation of abstract ideas as their own entity. Art was about recreation and imitation, Landscapes, God-forms, theological idolatry. Then, suddenly, Artists started changing their view. They created altered versions of reality. Impressionists, surrealists, abstract artists. Then, somewhere along the line, the alteration of reality was surpassed by art that was completely independent of the world it inhabited. It didn’t mimic anything, it didn’t reference anything, it became art that reflected thought-form. Our reality became our mental construct of reality. And more than anything, this is what makes this very dull, very minimalist painting interesting. How in the world did we get from cave paintings to 3 white sheets of canvas?
Being an Office Receptionist
This isn’t interesting? I mean, it already seems to be to me, but let me spell it out for you, since you asked.
First, look at the prevalence of the service economy in this day and age. If you go back just 200 years, there wasn’t much of an economy around supporting the needs of others. You could carry packages or be a servant. Other skills, like service manufacture, required the creation of physical goods. Nowadays, there is an entire economic ecosystem of people’s whose job it is to coordinate, organize, or communicate. Office Receptionists, who write memos, and fill date-books, are just the tip of the iceberg. Someone from 200 years ago would look at jobs like that, and would likely laugh. “what kind of a job,” Says blacksmith joe, “Requires you to sit and talk to people all day”. But the fact is, without the service economy, we could not survive. As society becomes more complex, we have more of a need for people to organize it all, prevent it from collapsing. Office Receptionists form the basis of modern society.
But then we move on. Office receptionists are not only the cornerstone of modern society, but they also lead lives of intrigue. We are a society that thrives on social interaction, and, to a smaller extent, gossip. I am not lending any credence at this point to general archetypes, I am only using them because we as a society use them. Anyone who works HR or Reception in an office building has a better idea of what is going on in the office than anyone else in that building. This is because it is their job to deal with the people, to organize it all, and to know what to say to who to get what they need. Social information is power.
The receding Hairlines of Congressional Aids: A Study
Hair-loss, for some odd reason, is inextricably linked with stress. Which, when constantly getting texted pictures of a congressman’s junk on capital hill, is fairly high. Hair loss, in our society, is almost a sign of weakness. One can be bald and still be strong, and one can have hair, but if one is in between the two, we suddenly see weakness.
Its funny, in this way. We have had an African-American president, a Catholic President, and with any luck we are well on our way to having 2 X chromosomes sitting in the oval office. We haven’t yet elected an openly balding president. Can you think of one?
Well, there is Benjamin Franklin, I’ll admit. But he was elected in an era where wigs were the commonplace, and unlike most of the founding fathers, he was shoved far back to the 100 dollar bill, behind all of his peers and contemporaries. His name is even being redacted from history by a few southern and midwest states who don’t like his policies.
While stranded in Albuquerque
Posted: September 11, 2011 Filed under: General, Uncategorized | Tags: 9/11, Alberqerque, determination, Drive, Essay, Generation, Humanity, Motivational, Thinking, Worth, Writing Leave a commentI thought it would end up being a uniquely odd experience, flying from coast to coast on THIS day. I expected the airport to be empty, I expected people to make a scene, to be outspoken, scared, angry, and sad. I expected something a bit different than what I got, which was the everyday pedestrian hustle-bustle. If I didn’t know what day it was today, I wouldn’t even know it was important.
I used to be rather pissed that there weren’t any riots. Its not that I want people to be angry, that I want people to take to the streets in their rage, its just that I wanted them to care, I wanted them to fight for the people of this country. I looked at England and France and saw a youth that was willing to lay down its life for its country, I looked to this country and I saw a youth stagnant, a youth silent. I saw an entire generation dead on their feet, struggling for nothing more than a stable wage and a liveable life.
I was wrong.
I didn’t quite see it until today, that ineffable quality that America breeds into its youth, that stalwart determination in the face of everything. This is a day that, in all experience, should shut everything down, a day where people try not to leave their houses or do any work out of both respect, fear, or grief. This should be the kind of day that halts a country. But it didn’t stop this one.
No, this country is not lazy. No, America is not scared. No, America is not angry. We are determined. Given all that flies in our face, all that seems to conspire against us, we keep working. Given all who keep on dying over seas, we keep going. Given all of the fear, the terror, and the pure unmasked and irrational news we keep getting, we still go to work. Deep down, I think we know better than anyone else in the world: we keep moving and we keep working even if the sun itself threatens to swallow us. That way, no one can keep us down.
Monologue as Music
Posted: July 15, 2011 Filed under: Acting, Art, Performance | Tags: Academic, Acting, Architect of Experience, Art, Essay, Experience, Impulse, Monologue, Motivational, Music, Performance, TED, Theatre Leave a comment https://ted.com/talks/view/id/286So this is a thing I discovered via the usual route (being Stumble, of course), and something in it struck me. Zander, herein, talks about Impulses. This is best seen, he says, in young piano players pounding out a sonata or prelude. They hit every single note as an impulse, and the key to exciting and interesting classical music is to take one impulse, one thought, one motion, and use it to carry the entire piece. Some similarities between this and acting intrigued me.
It is increasingly common to have a director tell you that you should know every motivation for every single line you say; each line has to have a motivation. While I don’t doubt the validity of this statement, it leads to what Zander might call “two-cheek” playing.
Think of motivation as Impulse. Having a different impulse, and a different motivation for each line leads to a way of reading lines more befitting a nervous high school student than an actor. Find out where your impulses are, and use them sparingly. The longer you can carry a single thought through a monologue, the better. Big simple thoughts are more easily transmitted through a piece than hundreds of small ones. In an audition monologue, for instance, you should only ever use one impulse, one thought. And that impulse carries from your first words, until you walk off the stage.
We Are Our Art
Posted: July 4, 2011 Filed under: Art, Performance | Tags: Academic, Acting, Actor, Architect of Experience, Art, Blog, Essay, Experience, IT, Motivational, Performance, Talent, Theatre, Worth, Writing Leave a commentI am my art. That is the dilemma actors face: We are our art. As artists we are victims to our own self-doubt. Should our art suffer, so too do we. Many a theater teacher has told me, “you are your instrument, take care of your instrument.” Which is all well and good, but actors suffer by this fact more than they know. The world of theater sadly seems to be divided in between those who have IT and those who don’t. It is also generally accepted that those who don’t have IT have no way of getting IT. Talent is a cruel and evil word.
The line between these two groups varies depending upon whom you ask, but it leaves the question open: As an actor, if you don’t get a part, does that mean you aren’t good enough? Whether we like to admit it or not, that is the question that always comes up. Since we are our art, and since we don’t always get the part, we start to question our worth. And our worth seems to be so tied up with our lives and our art, if one falls, it seems like the world itself starts to fall apart.
This is where I start to get highly Emphatic (capital E intended). There is no line between those who have IT and those who don’t, because everyone has something to bring to the table. For every part in every play ever written, there is an actor to play that part.
At this point it almost pains me to draw the comparison between directing and cooking, but I might have to. Every actor has a different way of doing things, and a distinct presence on stage. A great director should be able to feel this out and be able to put actors together who both exemplify their roles, and act as a unit. It’s like cooking a meal; you can’t just toss whatever is most expensive into the pot to make good food. You have to choose your ingredients.
I guess the general point of this rant was to exemplify two things. First: that not getting an audition in no way means you are not a good actor, it just means you didn’t fit what the director wanted. Second: Talent is found in all forms; it is not a single commodity, but a wide breadth of building blocks combined in innumerable ways to create a unique performer. In this way, let it be said that no actor is ever untalented, or that one type of talent is lesser than any other.
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