Walküre, Excerpt #3

An excerpt from the journal of Ezekial

Summer, 1934, North Carolina. 

“Well fuck a sheep thats a nice bit of stonework there.” She wiped her forehead with a  gloved hand leaving a granite streak a mile wide, admiring her work. “You got a little something there on your forehead miss” I was trying to be helpful, something I should probably stop doing.

“You call me miss again and I’ll tear you a new anus with a steam-powered masonry drill- And what’s this I conveniently have at my side? What could that possibly be-“

“It’s a masonry drill, no need to belabor the point there.” She put her gloved hands on overalled hips and held her pointed chin high. Ah hell, its been too long and it looks like I’ve gotten rusty. “Sorry miss, I’ll leave you be-“

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Yes, I Write Professionally

Every day I don’t spend Writing or developing a project feels like a waste.

Its been this way for a few years. Time that I have spent, for instance, writing out over 350 pages filling 3 notebooks, writing the better part of 2 plays a pilot and half of a novel. I used to write every single day, Now I’m lucky if I have time to sit and work on my days off.

Its been a theme of my last few months. A constant droning voice gnawing away at what I assume is my mind, telling me in some eldritch tongue that I need to write more to service the elder-gods, or some other nonsense.

Even so, I don’t like to refer to myself as a “Writer”.

The term has too much baggage. Whenever I say, “I Write”, there is an immediate look on someones face. There are always questions.

“Have you written anything I know?”

That would be code for, “Are you published?”. The answer is: Not Yet.

“What do you write?”

A question thats kind of like asking someone what neighborhood they live in when you don’t know the city. I appreciate the interest and will give you the logline, but most of the time its met with the blank look that reminds me how much of a rhetorical question “What I write” usually is.

Words. I write Words.

“But what do you do for a living?”

Starve, mostly. Or, more realistically, I have a job and write when I can.

“Oh that’s lovely”

You can often hear the condescension drip like… Well… Condensation. I hope the inadequacy of that simile illustrates how few fucks I give.

But always it comes down to one essential question that people seem to have: “Do you make a living writing?”

No. I don’t.

Not many people do.

But that doesn’t mean that I don’t write professionally. 

I don’t know if I have enough experience or gravitas to speak eloquently on this matter. After all, it was only 3 years ago that I even began pursuing writing as a career. But it seems if I haven’t gotten paid for writing, there is an expectation that I should say that I am an “Aspiring Writer”.

But I’m not aspiring to anything, I’m working. Its my second and my third job. I am sure that a lot of other “Aspiring Writers” feel exactly the same way.

Why would we do such a disservice to the work we are doing by referring to our writing as anything other than professional?

 

 


What God, Chapter 6

After a brief employment-inspired pause, Here is Chapter 6! Here is Chapter 5 for those who want it

What I had to do before anything else was to figure out Kraden’s timeline for the night, something to do before the blood-work was in. After that I had to find out who the “She” was and what she had to do with Kraden’s old job as the CEO of Æthenmus.

Walking into Adam Kraden’s campaign headquarters made me wonder if they even knew he was dead. I expected to see at least an intern composing themselves, mopping tears with a tie or tissue. Paid or unpaid, it looked like everyone still had a job to do. 

So I walked up to the nearest secretary, “I’m Detective Grant, here to investigate the murder of Adam Kraden”

He didn’t bat an eye, just stared at me for a second and, “Take a seat we’ll be right with you.”

Nothing makes a man feel more unimportant than the bureaucratic power of the waiting room.

I sat and waited for 10 minutes while catching snippets of the office buzz. It sounded mostly like volunteers assuring constituents; saying that his campaign was being taken over by his campaign manager, yes she is a good person, yes she has the same platform, sadly campaign donations are not refundable, the money has already been used.

Then I heard her. “Sir, you are welcome to withdraw your continued funding… yes I understand… But if you don’t feel I can do as good a job as…” She faltered, seemingly unable to say his name, “Yes, sorry… Yes I’ll be fine. Thank you sir. I’ll be fine.” She was a tall woman coming through the cubicles. When she ended the phone call her eyes hardened and her voice was immediately steady as she talked to the aides around her. “Gretchen Thomas, Detective Grant. Its good to meet you.” She didn’t seem to care that I knew the phone call was a performance.

“I hear you’re running for the seat?” She paused for a second, maybe betraying her humanity, maybe evaluating what I knew. I didn’t trust her.

“There is a lot of money in this campaign. It goes to waste or I run for the seat” The aides around her studied their phones. “My office?”

I followed. She led me to a small room off the side of the large office. Probably Kraden’s. “Haven’t moved yet?”

“I’m going to turn it into a lounge. Something for the volunteers” She sat down and straightened her desk, not looking at me. Everyone is guilty of something and I wasn’t here to be her friend.

“I need to know what Kraden was doing last night.”

“I have his schedule right here-“

“No, I need to know what he was doing last night”

A look of understanding dawned on her, “I don’t understand.”

“His schedule tells me what his schedule was last night, I want to know what he was doing.” Her face was tight. “I’m not press, this is a closed investigation. You can tell me right here or I can drive you to the precinct and do it there.” It was an old trick. But the old tricks worked.

After chewing the inside of her lip for a few seconds, “He had an interview at 7 for a late-night show. After that he came back and was signing letters until he left.” She was lying. She knew I knew she was lying. I’ll still have to do this the hard way.

“Has he been acting weird the last few days? Anything out of place? any calls or mail?”

“Not that I remember.”

“Where do you keep your death threats?”

This made her sputter, “They weren’t serious, there were only a few- we never bothered to report them. How did you know?”

“A leap of faith.” A progressive reform campaign mounted by an ex-CEO? Of course there were death threats. “I’d like to see them.”

She walked into Kraden’s office. It was neat and well organized. On her way in Gretchen passed the desk and straightened out one of the pencil holders offhandedly, like it was second nature. “He kept them in his desk. He liked to flip through them to remind him that he was doing the right thing”

It would have been funny. “Was he ever threatened in person?”

“No.” She was holding onto the death threats. I held out my hand and she reluctantly passed them to me. “There were always protestors, but-“

“What time did he leave last night?”

Her face fell a bit. Not an act like the phone call, but something like guilt or empathy. “I don’t remember”

“Call me if you do. We’ll be in touch Ms. Thomas.”

She showed me out of Kraden’s office and went back to hers. I walked out to the main floor of the office and everyone there was working furiously. They had been listening. I smiled and turned to the room.

“Hello everyone!” I wasn’t shouting, but I didn’t need to. They all stopped, “Hello! My name is Michael Grant, I’m a detective. We need to construct a timeline for Mr. Kraden’s last few days.”  I reached into my coat and pulled out a silver case, I pulled a small stack of business cards out of them, “If any of you have seen anything out of place or weird or even worth knowing, please contact us.” I held the cards up high and walked over to the large chrome coffee maker. I made myself up a cup and put the business cards on top.

As I left a few people in the office decided it was time that their mugs needed refilling. This might have been worth the drive.


Online Dating Turned Me Evil

Prologue:

I like to imagine that I kept to my principles in the end… I mean- I didn’t. But I like to imagine.

Act 1:

First thing to know: I haven’t been single in about 6 years. I have not been single for long. I haven’t tried to meet new people outside of school in a long time- which was why OKCupid and Tinder seemed like a good idea. I ended my last relationship on good (great) terms, and this might be part of the problem

Interlude:

Its great when you can end a relationship on good terms. Like the adults we know we are. But the human brain has a conditioned response to sudden loneliness- it wants to pitch and fit and throw a tantrum and not be lonely anymore. So when your brain wants to do this but you have no reason to, you start to look for an outlet.

Act 2:

It started with Tinder. I mean, it all seemed perfectly normal at first. I swipe right and I swipe left. It even comes with helpful labels. If you swipe right you see “Like” in friendly green, if you swipe left you see “Nope”.

This is when I should have known things could get bad.

If two people both swipe right on each other’s pictures, you get to “Chat”. Not being able to connect with people easily this seemed like a great idea! No need to go through that awkward period of finding out whether someone finds you annoying.

Its a trap.

Not in the beginning- No, Tinder makes you build your own prison. In the beginning you treat the system with respect, you only “Like” the people you’d actually like to talk to. You start to think that the system works. But it doesn’t. And you are why.

Act 3:

The swiping. Oh the Swiping. You start to no look at anything but the first picture, judging everything about a person on first glance. Duck Face? Swipe Left. Bikini Shot? Swipe Right. Every swipe brought me one step closer to hell- turning me into exactly the kind of person I hated. Soon I lost all sense of my principles, and after what seemed like weeks (it was only 2 days) without any matches I just started swiping right every time.

But it wasn’t enough. It wasn’t near enough.

Led on by this dark ghost of single life I joined OKCupid.

I could have sworn I heard a thunderclap

Act 4:

It had been almost a week of online dating. I get a few matches: One woman with a boyfriend who told me I looked like Peter Dinklage, another I scared off by asking bluntly what she was looking for.

Then on OKCupid I tried messaging people. Every awkward joke and question was another brick added to my cell in Hades.

What kind of person had I become, Silently judging the attractiveness of strangers. And I grid to be fair to those I didn’t- but only at first. Soon I fell even further. I judged harshly and swiftly.

If I was a super villain with an origin story, this is how I would have turned evil.

Act 5:

And this is where this tragedy takes a turn for the lighthearted. You see, I thought I was evil in the same way that Kite-Man thinks he is evil. Yes he robbed banks and stole money and jewels from museums- but then Kite-man saw The Joker beat Jason Todd to death with a crowbar, and realized that he was just an average man who stole things for a job.

I started to realize that the bar was set so low with men and online dating that I was somehow still considered a good person. I hadn’t sent any unsolicited dick-picks or told a girl how “Hawt” she is. I was middle-of-the-pack evil- Stealing candy from babies evil.

So really, this is the story of how online dating turned me kind of evil.


Poop, Abridged

I am going to say something that is not said enough in the world.

Holy SHIT… thats cool.

Genuinely. Shit is cool.

Wait… even SHIT is cool. Digested food is damn cool, and by god, its poop. Poop is awesome!

And why is poop awesome? Because not only is it the product of billions of years of digestive evolution, it spawns ecosystems in and of itself. Dung beetles aren’t just a punchline, they are a species of beetle that thrives on the digested grasses and plants of the savannah. They gather up their stash in a ball, hop on their front legs, and roll their ball of dung hundreds and hundreds of feet back to their burrow. How in the hell did this behavior evolve? is this behavior learned, or has it been so repeated that it is coded into DNA?

What about our relation to poop? Look at how it has evolved into our culture. Toilets became a mainstay as early as Sumer. We separated our waste disposal from the rest of society. Put it in the corner or behind walls, following the behavior of most other mammals. Its funny that as Cities and Communities grew, the propensity to separate our waste from our streets decreased. We went from Rome, and their advanced system of toilets and baths, to the renaissance, where chamber pots were emptied into streets and baths were practically prohibited by the church. Then we made thrones for our pooping, books surrounding it. Our waste eventually became a joke, a psychological symptom or precursor to disorder, something people laughed at or were ashamed of. There are vast segments of our culture that have developed around this one single subject. Not only are there papers, articles, and novels written around the subject, It is a common and unifying factor for all cultures in the world. Each and every culture has a way they deal with their waste, and Each one has its own vast history and hugely complicated social norms.

And that is just the abridged version of Poop.

Take any subject on earth has Infinite Academic Resolution. You can continue choosing any part of any subject and pull up a wealth of information. If someone hasn’t already written something on it already, then someone will, eventually.

So, Tell Me. Why in the hell are you bored. Oh, I see you, sitting at home, surfing the internet, looking for something new. I see through your charade. You think there is nothing interesting?

Here is a Challenge: Send me some subject, any subject, and I will attempt to pull out something fascinating within it. Really. Send me ANYTHING, and I will find some small seed of inspiration in it. Even better, I will inspire some seed of interest in you. Try Me.


The Conversation While Writing

A man puts down his pen. A man picks up his pen. Indeterminable moments pass and his pen is back down. Perhaps, Man thinks, he needs a drink. Man picks up pen, gets up, and goes to get drink, realizes he cannot pour drink with pen in hand. Man sets down pen. Man realizes, via his behavior and the large number of empty tumblers on his desk, that he may have had enough to drink. Man sits down.

Maybe this isn’t how I want this story to start. Maybe I need to learn to shut up and let myself talk.

The Man, of course, isn’t just a Man, his name is…

Indetermineable moments pass and a name is still not found

Well his name isn’t important. What is important is that he is trying to write a book

How very self referential

And he is having trouble…

Not making it any better for yourself, are-

The man is in a room

Aren’t we all

Sitting at his desk

Who else would be sitting there

And he-

I think we know it’s a guy

And he very much hates his writer.

Hey, be careful there, I made you

Yes, I don’t think he cares very much about that

But I Created him

Was that capital C really necessary?

Well is is something of importance, isn’t it

No, it isn’t. you are just trying to grant what you do some false importance. As if creating a world and creating people in it makes you a God (capital G intended)

Well… Doesn’t it?

Oh don’t go down that road. They don’t exist. All this is, just so happens to be you sitting in a comfy armchair with a glass of watered brandy trying to escape into a world of your own making

But it has importance!

What, the Importance of the Artist? All False, I assure you. An artist creates things that people merely like or despise with all their hearts. Do they make foreign policy? Do they lobby for new laws concerning corporate regulation? No, they sit and whine and bitch and do nothing. How does that matter a whit?

It doesn’t

Exactly

Not to you, at least

Not to anyone.

Not true. Someone’s acting once inspired a man to try and kill Ronald Reagan.

A lunatic

A Human

A Crazy one

How does that matter? Every single one of us is at least a bit crazy, and we can sit and not be able to do anything about foreign policy, but every one of us can create. Every one of us can show someone something beautiful or interesting or horrifying.

But that doesn’t mean that what you create means anything to the world

The World? Screw the world. It doesn’t have to mean shit-all to the world. For all we know, the world isn’t sentient. You know who is? Us. We experience, we create, and we feel. We are the only reason we know we exist. Because like it or not, there is more than one of us. And I don’t know about the world, but if I can influence one person, if I can change then, then I have changed a world. Theirs at the very least. What you don’t realize is that this world isn’t one coherent mass, it is just a landmass inhabited by billions of people who see things differently, and billions of people who have their own worlds. So I’ll tell you this, you don’t have the dominion over worlds that I do. By just going on stage and speaking I can change a hundred, by writing I can change a thousand. That’s the thing. I don’t control or create reality, I add to it.


Greek Jokes Aren’t Funny (Excerpt)

Larry: (pounding back a shot) well shit.

 

(Arlus walks up, Larry is poured shot after shot after shot of something clear, Arlus approached Barkeep)

 

Arlus: (worried) what’s he drinking?

 

Keep: Water

 

Arlus: …you keep water in a vodka bottle?

 

Keep: keeps the underage happy and paying

 

Arlus: (nods, then to larry) Larry, what happened? Wife leave you for a white bull again? Pregnant with a monster, is she?

 

Larry: nope (prepares for shot, takes it)

 

Arlus: Did Daddy cause another earthquake in Sparta?

 

Larry: Nope

 

Arlus: Hade’s steal your daughter away to the underworld and… something with a pomegranite?

 

Larry: (grunts)

 

Arlus: Did…

 

Larry: Nope

 

Arlus: I didn’t even finish!

 

Larry: already knew the answer

 

Arlus: well what was I going to…

 

Larry: Dionysus visited me today

 

Arlus: … hm?

 

Larry: Dionysus-

 

Arlus: no, I heard you, that one wasn’t all that funny

 

Larry: I wasn’t kidding

 

Arlus: yeah

 

Larry: he honestly did

 

Arlus: (pause) so why water?

 

Larry: just popped into my-

 

Arlus: seems a little weak for-

 

Larry: and just whipped it out-

 

Arlus: I mean, I know you can’t hold-

 

Larry: and it was just gigantic, then he-

 

Arlus: showed you how to take them, just-

 

Larry: told me to get up, started yelling-

 

Arlus: and the whipped cream makes it even better-

 

Larry: Told me to PROduce a play!

Arlus: and that’s how you take a shot!

 

Both: Wait… What?

 

Larry: you told me to take a straw and drink through my nose

 

Arlus: Dionysus told you what?

 

SILENCE

 

Arlus: I may have been drunk at the time

 

Larry: He, uh, told me to PROduce a play

 

Arlus: that’s not how you pronounce-

 

Larry: I don’t care

 

Arlus: yeah

 

SILENCE

 

Larry: so what does that even mean?

 

Arlus: Fresh vegetables for sale at a market

 

Larry: no, the-

 

Arlus: yeah, you pronounced it wrong

 

Larry: Don’t Care

 

Arlus: Figures. Hm… I think its when an asshole shows up and tells the director what to do.

 

Larry: well that doesn’t sound very helpful

 

Arlus: I could be wrong

 

Larry: yeah, that doesn’t sound right.

 

Silence

 

Arlus: does it mean…? Yeah, I’m out

 

Larry: me too.

 

Arlus: well, we could just go around and ask people what producing is, this is Athens, after all, someone should know.

 

Larry: Oh yes, that sounds like a fantastic idea. We could go to Lickus, the street lecher, and ask him, “do you know what a producer does?” and he flashes us and we say, “not that kind of producer, what a Theatrickal producer does” and he tells us he doesn’t know, but would sure as hell like to find out. So he follows us when we go to ask Scandalus, the politician, Acrylica, the beautician, Little Pintus, head of the league of orphans and the president of the competitive drinking league. We can ask flicus and Bickus, and kalamazoo! And then go and ask mr. floppity roo! And then we’ll take this great big mob of people up to mt. Olympus, stand in front of Dionysus, and say, “Listen here, you schmuck, none of THESE people know what the hell a producer does, why the hell should I?”

 

Arlus: You’re drunk… ( pause, picks up shot glass of water sniffs it, looks at Larry, who continues line)

 

Larry: (dawn of realization) Oh god Damnit! (leaves)

 

Arlus: yeah he probably has (moment, follows)

 

(Dionysus walks on, hands jug to Keep, asks for a gallon, Keep looks confused)

 

Dio: (to Keep) Think I was too hard on the fellow? He was pounding the drink pretty hard

 

Keep: (stunned) it was water

 

Dio: (looks angrily at Keep, grabs back his jug, starts to leave, glares back, and struts out)

 

Keep: Bye?

 


Oh What a Rogue and Peasent Slave Are You (For Not Understanding “High Art”)

Screw. You. Shakespeare

This isn’t an open letter to good old Bill, mind you, I hold, and have always held, a deep love for all (Most) of the Bard’s works. Even still, screw you, Shakespeare, for ruining shakespeare for me in high school. Its not the words I hate, its not the writer, its not the content, its the way that people read them.

Nothing in the world can possibly be more sexually deadening to me than a perfectly enunciated Romeo and Juliette said in a perfectly iambic metronome. Its something akin to imagining the sweaty effort your parents made that earned your little white tadpole a seat on the 9-month egg express.

The joy of acting isn’t found in the words, its found in how they are said. I am of the firm belief that anyone can be inspired by Henry V’s “St. Crispin’s Day” Monologue, or that anyone can know pain by hearing Titus lament the destruction of his daughter. The power of those words isn’t as much in what they say, its how people say them. That seems obvious, doesn’t it, that the power of the Bard’s words are in how they are said. But we have a habit of taking ourselves out of the equation when it comes to Shakespeare’s works.

The joy in seeing one of Shakespeare’s works isn’t watching a perfectly rendered period reproduction with original accents, its in seeing an actor take words we have heard thousands of times, and saying them so we listen like its the first time. Like that first time that we actually heard the words spoken with emotion, not from a high school teacher, not from a monotone reading, the first time we heard someone actually MEAN those words.