Games have two different kinds of narratives: Explicit and Emergent. Explicit Narrative is the story that the game tells to the player, and Emergent Narrative is the story the player creates for themselves as they play the game.
Perhaps the most noticeable game featuring Emergent Play is Minecraft, which sold to Microsoft for 2.5 billion dollars. Since then, Sandbox and Survival games have taken off, generating countless titles, almost all of which are Early Access, only a few of which will ever see completion.
Any time you get your player to say: “I Did ______ in [Insert Game Name]” then you have created Emergent Play [EP].
How do you get your player to put themselves in the place of their avatar? How do you encourage them to make decisions and create their own Narrative?
An excerpt from the journal of Ezekial
Summer, 1934, North Carolina.
“Well fuck a sheep thats a nice bit of stonework there.” She wiped her forehead with a gloved hand leaving a granite streak a mile wide, admiring her work. “You got a little something there on your forehead miss” I was trying to be helpful, something I should probably stop doing.
“You call me miss again and I’ll tear you a new anus with a steam-powered masonry drill- And what’s this I conveniently have at my side? What could that possibly be-“
“It’s a masonry drill, no need to belabor the point there.” She put her gloved hands on overalled hips and held her pointed chin high. Ah hell, its been too long and it looks like I’ve gotten rusty. “Sorry miss, I’ll leave you be-“
Every day I don’t spend Writing or developing a project feels like a waste.
Its been this way for a few years. Time that I have spent, for instance, writing out over 350 pages filling 3 notebooks, writing the better part of 2 plays a pilot and half of a novel. I used to write every single day, Now I’m lucky if I have time to sit and work on my days off.
Its been a theme of my last few months. A constant droning voice gnawing away at what I assume is my mind, telling me in some eldritch tongue that I need to write more to service the elder-gods, or some other nonsense.
Even so, I don’t like to refer to myself as a “Writer”.
The term has too much baggage. Whenever I say, “I Write”, there is an immediate look on someones face. There are always questions.
“Have you written anything I know?”
That would be code for, “Are you published?”. The answer is: Not Yet.
“What do you write?”
A question thats kind of like asking someone what neighborhood they live in when you don’t know the city. I appreciate the interest and will give you the logline, but most of the time its met with the blank look that reminds me how much of a rhetorical question “What I write” usually is.
Words. I write Words.
“But what do you do for a living?”
Starve, mostly. Or, more realistically, I have a job and write when I can.
“Oh that’s lovely”
You can often hear the condescension drip like… Well… Condensation. I hope the inadequacy of that simile illustrates how few fucks I give.
But always it comes down to one essential question that people seem to have: “Do you make a living writing?”
No. I don’t.
Not many people do.
But that doesn’t mean that I don’t write professionally.
I don’t know if I have enough experience or gravitas to speak eloquently on this matter. After all, it was only 3 years ago that I even began pursuing writing as a career. But it seems if I haven’t gotten paid for writing, there is an expectation that I should say that I am an “Aspiring Writer”.
But I’m not aspiring to anything, I’m working. Its my second and my third job. I am sure that a lot of other “Aspiring Writers” feel exactly the same way.
Why would we do such a disservice to the work we are doing by referring to our writing as anything other than professional?
Another Chapter! Chapter 4 Here
I knew that crime scene. I’d seen it before, spread over a loading dock in an alley in midtown. A scene I left chasing a man who was running from the scene. He was covered in blood. A man who I fired at and accidentally hit a lady further down the alley. She later apologized for getting in my way. The bullet is still in her collarbone, and she baked me a cake to say sorry.
The worst part was that the body disappeared when I got back to the loading dock.
So I took a squad car back to the precinct and I stopped on the highway to grab a bottle of water out of the trunk. I was getting lightheaded. I’d have to twist some balls to get the blood-work off of the scene by tonight. Its not that I didn’t appreciate what the techs did, I just wanted to have some real evidence to follow before I started chasing ghosts. Ghosts seemed to like long car rides anyways.
“I don’t want you to start looking into this” Misha was right, of course. My only stake in this investigation was supposed to be the murder of Adam Kraden.
“But there is too strong a chance that it could be linked.” She knew I wasn’t wrong.
“Michael, you have a pad of paper that doesn’t say anything and-“
“It doesn’t mean anything!” It didn’t mean much, but it meant something.
“Look at this thing, Misha.” The evidence bag and the pad was between us on her desk. “Kraden was holding this before he died.” I flipped it over, showing her the bloody fingerprints on the back.
“Then tell me what to do about it.”
“Nothing. Not yet.” Misha wasn’t happy. A dead politician and a commissioner who didn’t approve in her choice of detective was enough to make anyone jumpy. For Misha? She was pissed. I didn’t like waiting to drop the worse news on her, but I’d rather she kick me out than spend another hour yelling at me.
“Why,” She pinched the bridge of her nose and measured her words carefully, “The Hell. Are. You. Here.”
“I wanted to let you know that this might be more complicated than the murder,” I heard her mumble a small ‘fantastic’ before I continued, “And also that I am adding the midtown files to this case. The body I witnessed is concurrent with the way Kraden was killed.” I was scared for a second that she was going to lunge over the desk and kill me with a paperweight. She didn’t. I would later wish she did.
“This is my career on the line too. If you fuck up, I fucked up”
“Do you trust me?”
“No, but I believe you.” This wasn’t the response I expected.
Being witness to something like Midtown and then having no evidence to back it up and having no one believe you- It’s an awful thing. You start to become obsessed with proving it. The midtown file was nothing more than my report and some nearby security camera footage.
What I wanted to do was to dig back into it, to link it somehow to Kraden or to find any lead at all. I wanted to make it real. And the worst part about this was that just in the early dark hours of this morning I was driving around trying to make myself finally let go of it. I wanted so bad to let it go. But then I see the parts of Kraden laid around his living room. Now I can’t.
I was back at my desk sipping a cup of coffee for twenty minutes before I even realized I had gotten the file. It was open on my desk. I forced myself to close it.
Well I guess I’ve strayed into multimedia.
My friend and housemate Scott Key helped me out by throwing a little voice acting onto Devil’s House. I’m pretty damn pleased with the product, and this may be the mode of distribution from here on out.
The first two chapters are currently being hosted on SoundCloud. I encourage you to give a listen. They aren’t yet available for download- but they will be at a later date.
Please listen! Enjoy!