Online Dating Turned Me Evil
Posted: September 13, 2014 Filed under: General, Story, Uncategorized | Tags: Architect of Experience, Art, Blog, Confession, Confessions, Critic, Critique, Cupid, Dating, Essay, Evolution, Excerpt, Humanity, Humor, Humour, Language, Monologue, Motivational, Narrative, OK, OKCupid, Online, Online Dating, Secret, Story, Thinking, Tinder, Writing Leave a commentPrologue:
I like to imagine that I kept to my principles in the end… I mean- I didn’t. But I like to imagine.
Act 1:
First thing to know: I haven’t been single in about 6 years. I have not been single for long. I haven’t tried to meet new people outside of school in a long time- which was why OKCupid and Tinder seemed like a good idea. I ended my last relationship on good (great) terms, and this might be part of the problem
Interlude:
Its great when you can end a relationship on good terms. Like the adults we know we are. But the human brain has a conditioned response to sudden loneliness- it wants to pitch and fit and throw a tantrum and not be lonely anymore. So when your brain wants to do this but you have no reason to, you start to look for an outlet.
Act 2:
It started with Tinder. I mean, it all seemed perfectly normal at first. I swipe right and I swipe left. It even comes with helpful labels. If you swipe right you see “Like” in friendly green, if you swipe left you see “Nope”.
This is when I should have known things could get bad.
If two people both swipe right on each other’s pictures, you get to “Chat”. Not being able to connect with people easily this seemed like a great idea! No need to go through that awkward period of finding out whether someone finds you annoying.
Its a trap.
Not in the beginning- No, Tinder makes you build your own prison. In the beginning you treat the system with respect, you only “Like” the people you’d actually like to talk to. You start to think that the system works. But it doesn’t. And you are why.
Act 3:
The swiping. Oh the Swiping. You start to no look at anything but the first picture, judging everything about a person on first glance. Duck Face? Swipe Left. Bikini Shot? Swipe Right. Every swipe brought me one step closer to hell- turning me into exactly the kind of person I hated. Soon I lost all sense of my principles, and after what seemed like weeks (it was only 2 days) without any matches I just started swiping right every time.
But it wasn’t enough. It wasn’t near enough.
Led on by this dark ghost of single life I joined OKCupid.
I could have sworn I heard a thunderclap
Act 4:
It had been almost a week of online dating. I get a few matches: One woman with a boyfriend who told me I looked like Peter Dinklage, another I scared off by asking bluntly what she was looking for.
Then on OKCupid I tried messaging people. Every awkward joke and question was another brick added to my cell in Hades.
What kind of person had I become, Silently judging the attractiveness of strangers. And I grid to be fair to those I didn’t- but only at first. Soon I fell even further. I judged harshly and swiftly.
If I was a super villain with an origin story, this is how I would have turned evil.
Act 5:
And this is where this tragedy takes a turn for the lighthearted. You see, I thought I was evil in the same way that Kite-Man thinks he is evil. Yes he robbed banks and stole money and jewels from museums- but then Kite-man saw The Joker beat Jason Todd to death with a crowbar, and realized that he was just an average man who stole things for a job.
I started to realize that the bar was set so low with men and online dating that I was somehow still considered a good person. I hadn’t sent any unsolicited dick-picks or told a girl how “Hawt” she is. I was middle-of-the-pack evil- Stealing candy from babies evil.
So really, this is the story of how online dating turned me kind of evil.
What God, Chapter 3
Posted: September 12, 2014 Filed under: Art, Fiction, Story | Tags: Architect of Experience, Critique, Excerpt, Language, Narrative, Story, What God, Writing 3 CommentsThe next chapter of the novel What God, At this point, I might just release it chapter by chapter until I get to the end. Enjoy! What God Chapter 2
According to my watch the 30 minute drive had taken 3 hours. The side of my mouth was wet. I was sleeping.
Its amazing how much 3 hours of sleep feels like a hangover. The difference is that coffee and a hangover makes you feel accomplished, coffee and 3 hours of sleep feels like cheating. But I didn’t have any coffee, so I just felt like crap. Some days life doesn’t measure up to what the cereal boxes told me it should, but I don’t have any cereal.
We were parked outside of a nice house: professional landscaping, expensive Maseratti. And of course there were the cops. Most crime scenes tend to be pretty sparse. Usually you see a few cops on the tapeline and a small spattering of forensics and detectives. I walked up to the sergeant who drove me here and took his coffee.
“Chief Mala told me to let you sleep-” He started to apologize as I walked away. I was thankful, but not thankful enough to thank him. I raised my coffee to acknowledge that I had heard and kept walking.
Probably 150 cops, and only a third from my precinct. There were pockets of state police and a spattering of suits. Halfway through wondering why the circus came to suburbia the name Kraden found a place in my mind. Ex-CEO of Aethenmus, a biotech and pharmaceutical company, former state senator gearing up for the November election. He’ll be on the ballot to represent our great state in the House.
The suits were Secret Service. Damn it.
As much as I wanted to start in on the case, I wanted to step on the toes of the Feds even less. I scanned around for someone to give me the green light to do my job. Even thinking that left a poor taste in my mouth. A few seconds of looking found me Commissioner Levy arguing with a few of the suits. He was talking.
“I don’t see why you can’t just take the investigation over yourself”
The first suit, looking a little bit like a line-backer’s older brother, didn’t agree. “There is a protocol to these things Gordon, and it is there for a reason. I thought you’d be happy that we weren’t coming in to-“
“I just think that with who is on this-” I am not a man who likes to watch other men squirm. I interrupted him before he tried insulting me.
“I’m Detective Grant, this is my investigation. Its good to meet you” To the Agents. And to Levy, “Commissioner, its good to see you again.” Gordon Levy: the man who invented politics with a femur for a club and a yard of mammoth hide. He scowled at me.
“I’ll leave you to it, Grant” And he walked away.
Gordon Levy was one of the first people to advocate for my imprisonment after the Midtown shooting. When that failed he wanted me fired, then suspended, and then demoted. The only reason I wasn’t was Chief Mala and a few retired cops with some pull. I got lucky and I am not shy about saying so.
The linebacker shook my hand first, “Grant, it is good to meet you.” The agent next to him, a smaller and very nondescript man, also stuck out his hand.
I shook, “Should I just call you Agent, or do you-“
“I’m Hatterfeld,” The linebacker smiled, “Thats Smith.” Hatterfeld gestured to the small man beside him.
“I think, gentlemen, that I have a crime scene to get to,” Somewhat hoping that they wouldn’t follow me in.
“Keep us posted, Grant,” Said a southern drawl. It must have been Smith. I kept walking.
Walküre, Excerpt #2
Posted: September 8, 2014 Filed under: Art, Fiction, Story | Tags: 1934, Architect of Experience, Blog, Critique, Dust Bowl, Elijah, Excerpt, Maker, Monologue, Narrative, Rain, Script, Story, Walkure, Writing Leave a commentAn Excerpt from the Journal of Elijah.
Summer 1934, Nebraska
Rain-making had become a serious business in the last few years as the dust began to swallow farms and towns alike. It was mean stuff just as like to leave you coughing brown the next few days as to ruin an entire county’s livelihood. And when the rain-maker came, people gathered. No one counted on a rain-maker being bad news. I wouldn’t call them simple folk, but they were naïve.
This town had money, as few enough did at this time. The rain-maker knew this, and it was obvious to anyone who saw him walk into the town like a saint about to cure it from leprosy or blindness. You could’ve mistaken the townsfolk for such the way the rainmaker treated them all.
When the mayor bought him dinner and some cider, he sat, eating noisily and getting drunk. When he was more sober he made talk about how the next town over just harvested their first healthy crop in months, and how in another town he saved a thousand acres from falling to a dust-storm. Two counties over he cured their live-stock of a wasting sickness that had culled most of their herds. But as the drink began invading his speech, making it trip and tumble, he began to talk of the women he had, how all he had to do was get them drunk and they were his. He talked of his sin, and how little the care he had for his unburdened little soul.
Now I am a tolerant man and I have no problem disregarding the dry law of the land in order to get a rain-maker as drunk as he wants, but it stops when a man talks of violating another man’s daughter. Its a pity I wasn’t there to witness the ingress of the rainmaker to Trellby county, but at least I was able to come and clean up after the son-of-a-whore left.
Apparently, this rain-maker woke early the next day and took to the fields, sticking his finger in the roots of corn and eating wheat-grass like a bored farm boy. He then did something that should’ve tipped off anyone as long as they knew anything; He asked for privacy, a barn, and a white bull.
These were uneducated God-fearing folks which blinded them to the peculiarity of this request. Its not their fault. In Leviticus a white bull was considered a worthy sacrifice to God. Oddly enough, this is one of the only circumstances where such a sacrifice is so innocuous. Near cities, we tend to watch whoever buys stock like that because it’s usually a flag towards some upstart cultist who has ideas about having a flock and bestowing dark gifts upon himself.
I remember hiking out to the barn to see what he did, and then I remember deeply regretting my curiosity. Every part of the cow, save its skin, that could be dismantled had been, and it was all laid out in order, like the rain-maker had just taken apart an engine and was planning on putting it back together later. The smell was horrible, but the flies all stopped short of the meat, refusing to cross a circle of cow’s blood around the entire mess. It wasn’t like they couldn’t pass it, they just didn’t seem to want to, like the meat inside the circle was spoiled. They had a mark more wisdom than I.
I’ll not bother to recount the entirety of what the town suffered as a result of the rain-maker’s sacrifice, as I have put most of it into my report. There is, however, something worth saying, a reason why I am sitting here and writing instead of tracking down the rain-maker.
I guess there is not any other way to put it, so I’ll just say it outright. I found his face, or what I assume to be. It was lying in the mud outside of the barn. I had the local mortician look at the thing to check. It was probably an easy thing to miss in and among the fire, brimstone, and plagues the town had started to suffer as soon as the rain-maker had left. At this point I don’t know whether to call this rain-maker man or monster, I just knew something foul and wretched is coursing its way through nebraska.
I have since surmised that the skin of the cow was probably used to fashion a new mask for this rainmaker, though how he made the thing so lifelike truly confounds me. Even the mortician hesitated before saying it was some sort of leather thing, but of what nature he knew not.
I have the mask right here and it has cracked some in the sun and heat. It sure does look a lot like leather now. It would answer where the cow-skin went, but would raise a whole host of questions more Questions I don’t know if I can answer.
I know where my duty lies and I know what I have to do. The whole of my skin crawls and my bones have a chill like they’ve never felt. I’ll approach the night with bell book and candle if necessary. I’ll fight again if I am called to.
What scares me isn’t the night. What I face isn’t just the things that lurk in the dark places of the world. Last night was the first night in a week it stopped raining fire in Trellby County. Locusts still ravage the fields and a mass grave of firstborn are piled in pine crates on the lawn of the church.
What does God hate with such a passion that he would see a small town of his devoted flock leveled just to rid the earth of it.
It’s an answer that scares me.
Walküre, Excerpt
Posted: September 6, 2014 Filed under: Fiction, Story | Tags: Architect of Experience, Excerpt, Narrative, Story, Thinking, Writing Leave a commentAn Excerpt from the journal of Ezekiel
Winter 1927, Washington DC.
In the smoke rising from my cigarette there briefly appeared Valkyrie riding atop an 8-legged horse. I dashed it away with a breath of cold steam and leaned to look down the street, pulling my cuffs down covering the gap between them and my leather gloves.
Down Pennsylvania Ave., starting slowly at first, the will-o-the-wisps found their homes in the streetlights, small amber pools of light in an ice mist.
I savored, as much as I could, the last hot drag of the cigarette and let it slowly seep from my nose. Across the asphalt strip a lone figure made his way out of the National Archives and down the street, sporting a pace more appropriate for a thoroughbred than a man.
It took three blocks to come within 50 feet of the mark. He didn’t notice me. Not many do. 15 seconds. Time to breathe, let it flow like water. Relax. Exhale. Squeeze the trigger.
As I pulled and my gun barked the coat in front of me that had once held a man billowed out and fell to the pavement. My feet found their way somewhere above my head and the world turned clear. Behind the smell of brimstone gun smoke my head was filled with the knowledge of blood about to be spilled. How a dog may have smelled someone’s fear, I knew this man’s hate. I was going to die.
The most I can remember of that moment on the street is the first place my mind went when my life was on the line; Where my mind always went. Blank eyes that haunted every dream.
That bastard of what might have been a Man that I tried to shoot in the back on Pennsylvania Avenue took my hand near clean off with a switch-blade. I always wondered how he did that. I’ve tried it since and haven’t quite gotten the hang of it. its probably easier with a knife-hand.
Excerpt: Devil’s House
Posted: August 31, 2014 Filed under: Art, Story, Uncategorized | Tags: Architect of Experience, Excerpt, Language, Monologue, Narrative, Script, Story, Thinking, Writing Leave a commentA small short story I’ve been tooling around with: A Work in Progress that was abandoned a few years back. I think I am going to try and pick it back up.
Prologue
The Devil lived lonely on the top floor of the Chrysler Building. In the Devil’s House was the Devil’s Kitchen, the Devil’s Bed, the Devil’s Radio, and sitting lonely and cold atop the Devil’s Cold Fireplace was my lonely Soul. I wanted it back.
Exit Frying Pan
The Devil’s House looked nothing like I imagined. I don’t quite know what I was expecting, maybe a little flair. Brimstone, or Maroon Velvet, or the tortured Souls of the Innocent. I didn’t even know I was in the right place when I dropped down from the roof of the Chrysler and through the window. This place looked like it belonged to a Brownstone family in Brooklyn, not to the Lord of Hell, the Fallen Angel and the Morning Star.
The Devil’s Kitchen had a GE stove and a brand-name ice-box, his bed was an colonial four-poster, his radio was playing something baroque. His fireplace was warm with embers. The only thing I was right about was my small soul swimming in a jar above the Devil’s hearth.
It was quite like a fish, and swam around its jar like a fishbowl. I don’t know if it recognized me, but I recognized it. There was a hole in my chest that needed it back.
I went to grab it, having to stretch a little to put my fingers around the bowl. When I had just started lifting it a Voice behind me said, “That’s not yet yours to take”. It sounded like sulfur jazz.
With that, I was pushed into the devil’s open hearth, catching only a glance of the angel-wing band around his finger and a small whiff of cinnamon aftershave. I fell for far too long.
Into Fire
Robert Johnson sold his soul to the devil so that he could play his guitar. At the age of 27 he died alone in his room. The Devil came to collect.
I made my deal the same way he did, alone at a crossroads on midnight in a new moon sky. I wanted to forget my pain. I was 22.
I don’t remember his face, I just remember the Cinnamon and the Voice. A voice that burned the nose and a smell that tasted of chocolate. He told me that 10 years without pain was not a fair price for my soul.
I asked if he needed more
He said it was too much
I said I didn’t care
We made the deal.
I didn’t feel the pain anymore.
I didn’t feel the pain for 10 years.
Then the day came when the Devil would collect. I was ready, I had sold everything I owned and said my goodbyes to everyone left I ever loved. I waited in an empty room for the Devil to come and take me to Hell. He never did. I waited there until they turned my water off and my stomach shriveled to the size of a raisin. Though I wasted away and my lips were cracked and dry I did not die.
The Devil never came.
I went to jump off the roof.
I didn’t die.
So I took matters into my own hands. I found where the Devil lived, I found where he kept my Soul. If I wasn’t going to be collected and if I couldn’t die, I damn well wanted it back.
So I tried to steal it from the Devil.
What God, Chapter 1
Posted: August 19, 2014 Filed under: Story | Tags: Architect of Experience, Blog, Critique, Detective, Excerpt, Narrative, Novel, Pulp, Story, What God, Writing 1 CommentThe following is an excerpt of a work-in-progress novel. Please let me know what you think!
In the deep in the wasting corpse of industry an angel on a billboard burned. No one had touched this area of town in 15 years and this billboard was no different, a failed product line from a dying company. The top of it had already burned and coalesced into the smog, making the silhouette of this angel seem as though she was diving upwards into Hell. I listened to it burn in the wind-whistle silence of abandoned buildings. I sat and watched and listened.
I thought about checking the surrounding buildings for squatters to warn them of the possible danger. If I did I’d be shot. Even in plain clothes I look like a cop and there are days that looking like a civilian would be a blessing. I was born with a stern face and a conceal-carry permit. I’ve never been a civilian.
It was still early morning as I made my way through midtown. I hit the traffic, and people’s windows were open in the humid heat to play out their choice of early-morning talk-radio. I listened to the usual rhythm of dispatch at dawn; fender benders and last-call cleanup. After stopping to get some coffee at a drive-through I languished in the traffic, enjoying the rest after a hellish night.
Everyone out here was rushing to work or to wage, and when everyone else wanted to get there on time I was just happy just to have some. It was a rare moment in between paperwork and cases where the city was quiet only for me.
Reverie is rarely kept for long, though. A call from dispatch.
“Julia, My dear.” Was my answer, less formal than the precinct liked.
“Hey Mikey, Misha has a need for you” But I had known Julia since I was a PI.
“Right now?”
“As quickly as you can” Figures.
“Let the Chief know I’m running lights from midtown”
“Be safe, Detective”
Its easy for a man to feel powerful when all he needs is some flashing lights for a sea of people in their own little worlds to part and give way. 40 minutes of traffic was made into 10 minutes of glorious speeding. Public Service has its perks.
The Conversation While Writing
Posted: September 22, 2011 Filed under: Art, Story | Tags: Architect of Experience, Art, Essay, Humor, Humour, Narrative, Script, Story, Theatre, Thinking, Worth, Writing Leave a commentA man puts down his pen. A man picks up his pen. Indeterminable moments pass and his pen is back down. Perhaps, Man thinks, he needs a drink. Man picks up pen, gets up, and goes to get drink, realizes he cannot pour drink with pen in hand. Man sets down pen. Man realizes, via his behavior and the large number of empty tumblers on his desk, that he may have had enough to drink. Man sits down.
Maybe this isn’t how I want this story to start. Maybe I need to learn to shut up and let myself talk.
The Man, of course, isn’t just a Man, his name is…
Indetermineable moments pass and a name is still not found
Well his name isn’t important. What is important is that he is trying to write a book
How very self referential
And he is having trouble…
Not making it any better for yourself, are-
The man is in a room
Aren’t we all
Sitting at his desk
Who else would be sitting there
And he-
I think we know it’s a guy
And he very much hates his writer.
Hey, be careful there, I made you
Yes, I don’t think he cares very much about that
But I Created him
Was that capital C really necessary?
Well is is something of importance, isn’t it
No, it isn’t. you are just trying to grant what you do some false importance. As if creating a world and creating people in it makes you a God (capital G intended)
Well… Doesn’t it?
Oh don’t go down that road. They don’t exist. All this is, just so happens to be you sitting in a comfy armchair with a glass of watered brandy trying to escape into a world of your own making
But it has importance!
What, the Importance of the Artist? All False, I assure you. An artist creates things that people merely like or despise with all their hearts. Do they make foreign policy? Do they lobby for new laws concerning corporate regulation? No, they sit and whine and bitch and do nothing. How does that matter a whit?
It doesn’t
Exactly
Not to you, at least
Not to anyone.
Not true. Someone’s acting once inspired a man to try and kill Ronald Reagan.
A lunatic
A Human
A Crazy one
How does that matter? Every single one of us is at least a bit crazy, and we can sit and not be able to do anything about foreign policy, but every one of us can create. Every one of us can show someone something beautiful or interesting or horrifying.
But that doesn’t mean that what you create means anything to the world
The World? Screw the world. It doesn’t have to mean shit-all to the world. For all we know, the world isn’t sentient. You know who is? Us. We experience, we create, and we feel. We are the only reason we know we exist. Because like it or not, there is more than one of us. And I don’t know about the world, but if I can influence one person, if I can change then, then I have changed a world. Theirs at the very least. What you don’t realize is that this world isn’t one coherent mass, it is just a landmass inhabited by billions of people who see things differently, and billions of people who have their own worlds. So I’ll tell you this, you don’t have the dominion over worlds that I do. By just going on stage and speaking I can change a hundred, by writing I can change a thousand. That’s the thing. I don’t control or create reality, I add to it.
Greek Jokes Aren’t Funny (Excerpt)
Posted: August 22, 2011 Filed under: Art, Story | Tags: Architect of Experience, Art, Excerpt, Humor, Humour, Narrative, Performance, Script, Theatre, Writing 1 CommentLarry: (pounding back a shot) well shit.
(Arlus walks up, Larry is poured shot after shot after shot of something clear, Arlus approached Barkeep)
Arlus: (worried) what’s he drinking?
Keep: Water
Arlus: …you keep water in a vodka bottle?
Keep: keeps the underage happy and paying
Arlus: (nods, then to larry) Larry, what happened? Wife leave you for a white bull again? Pregnant with a monster, is she?
Larry: nope (prepares for shot, takes it)
Arlus: Did Daddy cause another earthquake in Sparta?
Larry: Nope
Arlus: Hade’s steal your daughter away to the underworld and… something with a pomegranite?
Larry: (grunts)
Arlus: Did…
Larry: Nope
Arlus: I didn’t even finish!
Larry: already knew the answer
Arlus: well what was I going to…
Larry: Dionysus visited me today
Arlus: … hm?
Larry: Dionysus-
Arlus: no, I heard you, that one wasn’t all that funny
Larry: I wasn’t kidding
Arlus: yeah
Larry: he honestly did
Arlus: (pause) so why water?
Larry: just popped into my-
Arlus: seems a little weak for-
Larry: and just whipped it out-
Arlus: I mean, I know you can’t hold-
Larry: and it was just gigantic, then he-
Arlus: showed you how to take them, just-
Larry: told me to get up, started yelling-
Arlus: and the whipped cream makes it even better-
Larry: Told me to PROduce a play!
Arlus: and that’s how you take a shot!
Both: Wait… What?
Larry: you told me to take a straw and drink through my nose
Arlus: Dionysus told you what?
SILENCE
Arlus: I may have been drunk at the time
Larry: He, uh, told me to PROduce a play
Arlus: that’s not how you pronounce-
Larry: I don’t care
Arlus: yeah
SILENCE
Larry: so what does that even mean?
Arlus: Fresh vegetables for sale at a market
Larry: no, the-
Arlus: yeah, you pronounced it wrong
Larry: Don’t Care
Arlus: Figures. Hm… I think its when an asshole shows up and tells the director what to do.
Larry: well that doesn’t sound very helpful
Arlus: I could be wrong
Larry: yeah, that doesn’t sound right.
Silence
Arlus: does it mean…? Yeah, I’m out
Larry: me too.
Arlus: well, we could just go around and ask people what producing is, this is Athens, after all, someone should know.
Larry: Oh yes, that sounds like a fantastic idea. We could go to Lickus, the street lecher, and ask him, “do you know what a producer does?” and he flashes us and we say, “not that kind of producer, what a Theatrickal producer does” and he tells us he doesn’t know, but would sure as hell like to find out. So he follows us when we go to ask Scandalus, the politician, Acrylica, the beautician, Little Pintus, head of the league of orphans and the president of the competitive drinking league. We can ask flicus and Bickus, and kalamazoo! And then go and ask mr. floppity roo! And then we’ll take this great big mob of people up to mt. Olympus, stand in front of Dionysus, and say, “Listen here, you schmuck, none of THESE people know what the hell a producer does, why the hell should I?”
Arlus: You’re drunk… ( pause, picks up shot glass of water sniffs it, looks at Larry, who continues line)
Larry: (dawn of realization) Oh god Damnit! (leaves)
Arlus: yeah he probably has (moment, follows)
(Dionysus walks on, hands jug to Keep, asks for a gallon, Keep looks confused)
Dio: (to Keep) Think I was too hard on the fellow? He was pounding the drink pretty hard
Keep: (stunned) it was water
Dio: (looks angrily at Keep, grabs back his jug, starts to leave, glares back, and struts out)
Keep: Bye?
The Story in the Story
Posted: August 16, 2011 Filed under: Art, Story | Tags: Architect of Experience, Art, Audience, Essay, Experience, Humor, Narrative, Story, Theatre, Writing 2 CommentsEvery story humanity has ever told, and ever will tell, all come from the same myths, the same basic narratives. Boy finds friend, they find trouble; boy meets girl, they fall in love, they die or live happily ever after. Every that is going to be told has already been told. So how do you tell a story that is worth being heard again?
It is tempting for me at this point to write a list of what makes a story memorable; but the truth is, there are no specific methods. The key, however, seems to be resonance. A story, as should be obvious, needs to have some sort of relation to the person reading it. This can come in the form of an Active Relation, something someone wants to get out of the story, and a Passive Relation, something in a story that, for one reason or another, evokes an emotional reaction.
As always, the line between an Active and a Passive relation is larger and more blurred than “The Greatest CENSORED Hits of Ron Jeremy”. This is also true for how much of each element any one story may contain. Novels that are usually focused more on an Active than a Passive relation are what we have come to refer to as Crime or Detective novels. These are books that we read to try and figure out a mystery, and are actively involved in trying to decipher the plot. A Passive Relation can best be found in almost any comedic novel, where the entire point of which is to create the humorous and unexpected, and therefore inspire a passive relation (i.e. trying to make the reader laugh)
As always, the best road seems to lie in the middle. Well, at least according to my limited world-view. To illustrate why, you need only take the one piece of literature we have probably almost all heard read in monotone by an English teacher; Hamlet. This is a story that creates both an active relation, forcing the audience to determine if Claudio really did kill Hamlet sr., but also is a story, in its most basic form, about a boy losing his father, creating a Passive relation.
But Hamlet is a story we have all heard before, isn’t it, along with most of the stories we are so fond of telling. So how do we get an audience to listen to them? First, you give them something new, a new take on it, and a new perspective. Anything to pique their interest. But failing that, every good story, every story worth listening to, has to be both felt by the audience, and interpreted by them. The perfect moment is when the audience is halfway between slight confusion and emotional devastation when the plot finally resolves. If done right, its enough to leave most people speechless
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